Cold War: A sombre film of love and separation
Cold WarDirector: Pawel PawlikowskiStarring: Joanna Kulig, Tomasz KotScreening: In cinemas in DecemberRating: ★★★★★

FILM REVIEW
By ANNA McSHANE-POTTS

The drama and the sorrows of separation are the themes of this Polish love story, showcased this year at the Melbourne International Film Festival. 

The film’s imagery of 20th century Poland shows Europe haunted by the oppression of the Cold War.

The film follows a young singer, Zula (Joanna Kulig), from regional Poland who auditions for and is accepted into a traditional Polish song and dance company.

Her spirit enchants the director of the choir, Wiktor (Tomasz Kot), and they soon start a secret relationship.

Their relationship provides a framework for the rest of the film, as they continually return to each other despite conflicts and separation.

Cold War showcases all the elements of a love story and more.

Wiktor and Zula overcome obstacles of separation, jealousy and imprisonment, however we are only given a small glimpse into their internal emotions and thoughts.

Kulig’s strong portrayal of a cold and unforgiving Zula is a highlight of the film. Zula internalises her feelings for Wiktor and her frustration about the endless touring which causes her character to become increasingly detached from their relationship.

The darkness of the film continues when Zula talks about murdering her father without a trace of emotion. It is Zula’s removed approach to her life that protects her from those in power and the harsh reality the cold war.

Cold War is filmed in black and white, which emphasises the sombre tone of the film and the love story.

Director Pawel Pawlikowski is best known for his Academy Award winning drama Ida (2013). He won best director at the 2018 Cannes Film Festival for Cold War.